These are the words of The Best Exotic Marigold Hotel narrator Evelyn Greenslade, played by the luminous Judi Dench. She is one of seven British retirees who travel to Jaipur, Rajasthan, India to live in a restored “luxury” hotel for the elderly. Predictably, their expectations are not met — the hotel is a shambles and its future in doubt — and just as predictably, the characters who take up the challenges thrown at them find a new, unexpected life.
“What do you like about this country? What do you see that I don’t see?” asks unhappy Jean Ainslie (Penelope Wilton), who recoils in India and retreats into seething negativity. (I’ve seen this reaction among people quite often in India, unfortunately; and I’m sure other experienced India travellers have too.)
“The light, the colours, the smiles. The way the people see life as a gift, a privilege — and not a right. All life is here,” answers retired high court judge Graham Dashwood, played by Tom Wilkinson. (more…)
In honour of the opening of the new film The Best Exotic Marigold Hotel — which is set in Rajasthan and was filmed on location in Udaipur, Jaipur and several other glorious Rajasthani locations — here’s a photo essay of some of my fave pics of Rajasthan. I have probably taken 2,000 photos of ”the Land of Kings;” these are just a few. To read about the actual locations used in the filming, click here: On location in India with The Best Exotic Marigold Hotel. (more…)

Deepa Mehta at the University of Toronto, photo by Katie Billo
There was a moment during acclaimed Indo-Canadian director Deepa Mehta’s talk recently at the University of Toronto — about the making of her new film Midnight’s Children — when I felt the jolt of inspiration. It came near the end. Someone asked if “it’s easier to break into film today, or when you got started.” Deepa replied very thoughtfully in a deeply felt, lyrical voice: “I think it’s really difficult making films. The challenge has not diminished or increased. Whenever you want to write a book, whenever you want to make a film, whenever you want to make a painting — whenever you do something that isn’t about going to an office, whenever your future is not secured by a paycheque, it’s a risky thing. Whenever you take a risk it’s going to be tough.” (more…)

Shahrukh Khan and me dancing on stage at RaOne premiere in Toronto. Photo by Andrew Adams of Katha Images.
Yet again, I found myself in the eye of the Shahrukh Khan storm when he was here in Toronto for the opening of his new film, RaOne, at the TIFF Bell Lightbox. If you follow my blog, you will know that I wrote Shahrukh Khan and me about my love for his film Paheli and my thwarted chances to meet him; and you will remember that I finally did meet him during the IIFA Awards, which I wrote about in Bollywood in Toronto: Fave moment #1 – Meeting Shahrukh Khan. (more…)
Michael is a new “Hindie” film from India with a powerhouse duo behind it: producer Anurag Kashyap and star Naseeruddin Shah. Directed by first-timer Rubhir Dasgupta, the film follows Shah’s eponymous character on a dark psychological journey through the streets of north Kolkata (Calcutta). Michael is demonized by an action from his past — accidentally shooting a 12-year-old boy while on duty as a police officer — and it’s ramifications on his present. His own son is about to turn 12; and he is terrified that the father of the dead boy is planning to kill his son for revenge.
The film is a study in karma, and while the storyline is interesting, the naturalistic talent of actor Naseeruddin Shah and the tarnished beauty of Kolkata are the real stars. As he explained after the film’s premiere at the Toronto International Film Festival (TIFF), both actor and location were very deliberately chosen by writer/director Rubhir Dasgupta.
Dasgupta was at the film, along with one of the other producers of the film, Guneet Monga. These filmmakers are part of the “new age” of Indian cinema. Kashyap wrote and directed That Girl in Yellow Boots, Gulaal and Dev.D, among other films; and wrote the Deepa Mehta film Water (one of my all-time favourite films). Monga was an associate producer on That Girl in Yellow Boots and a co-producer of Trishna.
The movies they make are very different than stereotypical “Bollywood” fare. They do not feature song-and-dance numbers, melodramatic love stories, big-budget productions or mega-stars. Instead, they evoke a sense of naturalism and tell dramatic, personal stories that reveal both psychological truth and modern-day India. (more…)
His voice was filled with exasperation, and the churned-up emotion of watching tragedy unfold before him, onscreen. “Didn’t she realize she had the upper hand,” he asked. “He kept coming back to her. Why didn’t she take control of the relationship?”
He was a white Canadian, a “gora,” who had — like me — just sat through the premiere of Trishna at the Toronto International Film Festival. The film, based on Thomas Hardy’s Tess of the D’Urbervilles and set in modern-day India, was directed by Michael Winterbottom (Jude). It stars Freida Pinto (Slumdog Milionaire) and Riz Ahmed as the doomed lovers swept up in the tumult of a changing society. The decision to set the story in modern India was brilliant, and gave the film multi-layered depth, the sheen of reality and the depth of pathos. (more…)
Breakaway is a new Canadian film about a young Sikh Canadian man (Vinay Virmani) who is a mad about hockey — against the wishes of his traditional, turban-wearing father (Anupam Kher). It’s set in suburban Toronto and features Russell Peters, Rob Lowe and a cameo by Akshay Kumar. The film explores the meeting of Sikh/Punjabi/Indian and Canadian culture, and attempts to reconcile them against the backdrop of Canada’s national sport (and pseudo-religion) — hockey.
On Saturday, September 10, the film premiered at the Toronto International Film Festival (TIFF) with a raucous Punjabi-themed parade on Yonge Street that included bhangra music and dance, a painted elephant, Miss India-Canada, the cast and crew in colourful autorickshaws and Bollywood star Akshay Kumar on a white horse. The waiting crowd loved it and camera lights were flashing. It was a great start to a fun, feel-good movie. However, the film didn’t quite live up to its promise. (more…)

Bollywood actress Mallika Sherawat at the Fairmont Royal York Hotel during the IIFA Awards. Photo courtesy Andrew Adams Photography
The pillars of excitement at the Fairmont Royal York Hotel during IIFA were definitely the stars. Every time a Bollywood star entered or left the hotel, a bubble of excitement burst in the lobby, resulting in a chorus of near-hysterical cheers. I had a media pass, so I was able to gain access to off-limit areas, and it became normal for me to see stars like Anil Kapoor, Sonu Sood, Ritesh Deshmukh, Arshad Warsi, Priyanka Chopra, Boman Irani, R. Madhavan, Dia Mirza, Zayed Khan, Sharman Joshi, Shabana Azmi and Harman Baweja milling around the hotel. (more…)

Bollywood actor Sonu Sood and fans in the lobby of the Fairmont Royal York Hotel during the IIFA Awards. Photo courtesy Andrew Adams of Katha Images.
Bollywood in Toronto
Staying at the Fairmont Royal York Hotel, the host hotel for the International Indian Film Academy (IIFA) Awards in Toronto, gave me a unique and close-up look at both the behind-the-scenes action and the fans. I have lived in India, so I was not at all surprised by the fan frenzy: Indian movie stars have the biggest and most loyal fan followings in the world. Hands down. No comparison. (more…)

Shahrukh Khan arrives at the Fairmont Royal York Hotel for the 2011 IIFA Awards
Some of my readers will have no doubt, others will be totally surprised to learn: Shahrukh Khan (often known as SRK or King Khan) is the world’s number 1 movie star. By far. Any number or metric you want to use to measure — loyalty, fan base, power, influence, sheer hysteria — will show SRK way out in front. He is NOT the Tom Cruise or Brad Pitt of India. We do not have stars in the west the way they do in India. There are probably 1 billion people — that’s about one-quarter of the planet — who would give Shahrukh their kidney, if he needed it. (more…)